Sonia Lee, Harpsichordist & Early Music Scholar
Home
Dieterich Buxtehude (c.1637-1707)
Toccata in G Major, BuxWV 164
Gaspard Le Roux (d. 1707)
Prelude in F Major
Chacone in F Major
Johann Sebastian Bach (1685-1750)
Prelude in Eb major for Lute or Harpsichord, BWV 998
Antoine Forqueray (1672-1745)
La Leclair
Johann Jacob Froberger (1616-1667)
Lamentation faite sur la mort très douloureuse de Sa Majesté Impériale, Ferdinand le troisième (1657)
Charles Demars (1702-1774)
Prelude in A Major
Jean-Baptiste Lully (1632-1687)
Excerpt from Armide
Sonia Lee, harpsichord
Antonio Bembo (c.1643-c.1715)
Ha, que labsence est un cruel martire
Lissette Jimenez, soprano
Antonio Vivaldi (1678-1741)
Adagio Molto
From Concerto No. 3 in F major, Op. 8, RV 293, "L'autunno"
Sonia Lee, harpsichord (lute stop)
George Friedrich Händel (1685-1759)
Glory and worship hast thou laid upon him
From The King Shall Rejoice, Coronation Anthem HWV 260
Excerpt from Miserere mei Deus
Sonia Lee, organ
Dagmar Feyen (Belgium, b.1967)
Evolutions: 6 Preludes on the Evolutions from "L'Art de toucher le clavecin" for Harpsichord (2007)
* Prizewinner at the 2008 Aliénor Harpsichord Composition Competition
I. Progrès de tièrces en montant et en descendant
II. Progrès de quartes en montant et en descendant
III. Progrès de quintes en montant et en descendant
IV. Progrès de sixiemes en montant et en descendant
V. Progrès de septiemes en montant et en descendant
VI. Progrès de d'Octaves. Fuga a tre voci - Tempo di Giga
"Sonia's concert of D'Anglebert and Frescobaldi was a big success..."
"They loved the music."
- Southeastern Historical Keyboard Society Newsletter, USA
"[A] soloist who acquitted herself admirably in her performance..."
"Lee was held to a very high standard of playing."
- Culture, McGill Daily, Canada
"Special guest harpsichordist Sonia Lee gave a brilliant performance to an enraptured audience."
- Early Music Colorado Quarterly, USA
"Ms. Lee upheld the high standard of performing that Italian music lovers, tourists, and critics have come to expect from the Rome Festival."
- Fritz Maraffi, Director of the Rome Festival Orchestra & Opera, Italy
"Instruments by Klinkhamer & Partners, Paul Irvin, Norman Sheppard, David Sutherland and Knight Vernon... were ably played by Sonia Lee."
- Midwestern Historical Keyboard Society Newsletter, USA
"... Dagmar Feyen's cerebral 'Evolutions,' livened by Sonia Lee's imaginative articulation."
- Aliénor News & Notes, USA
"She used Vernon's French double and the program included Buxtehude and a surprisingly interesting work by Nicolas Lebègue. Lee appears already as a polished performer in spite of her young age. She very ably demonstrated instruments during the previous MHKS meeting in Saint Paul, Minnesota, last year."
For booking and other inquiries, please email:
sonialeemusic_gmail.com
You may also fill in the contact form on the right:
